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Textiles and the Reformation By Barbara Meyers Unitarian Universalist History, Part
I
Spinning and weaving played an important role in the lives of European women during the time of the Reformation. While performing these traditional tasks as a cottage industry within their homes, thousands of ordinary women played an important role not only in the rise of the textile industry and capitalism, but also the spread of the Reformation. This paper explores the interrelationship between the tasks involved in producing cloth, and the spread of the Reformation. In particular, we will examine the role of the individual common women who were the chief workers in the making of yarn and thread for cloth. Interconnecting Societal Developments Involving Textiles and the ReformationA number of interconnecting societal developments, each playing a part in the subject we are considering, came together at the time of the Reformation. We will briefly introduce each development. The Beginning of the Textile Industry The term “textile” comes from the Latin word texere ("to weave"). It refers to both threads and yarns used to make cloth and to the cloth that is made from interwoven fibers. In general the process of making cloth is to first spin the raw materials into yarn, and then weave the yarn into cloth. Sometimes, a finishing or “fulling” process is required after the cloth is woven. Spinning and weaving have been done since prehistoric times, the earliest known evidence being from the Bronze Age in about 4500 BC in Egypt.[1] The first technology used in spinning was the spindle, which is essentially a weighted stick. Spinning with a spindle is done by attaching raw fiber to the stick, spinning the stick around, and then winding the spun fiber onto the spindle. See Plate 1 for pictures of many different types of spindles and of a woman spinning flax with a spindle. The process of spinning was mechanized by the introduction of the spinning wheel into Europe in the 14th century. The spinning wheel, which had been developed and used in India long before, allowed the continuous spinning of thread. The Saxony wheel, an improved version, sped up the production of yarn considerably.[2] This made it possible to produce enough thread to reliably supply a growing body of weavers, thus providing one of the necessary conditions for the beginning of a textile trade. See Plate 1 for pictures of the Saxony wheel and other spinning wheels used in Europe at this time. Plate 2 shows two engravings of spinners, one The Visit to the Spinner by van Meckenem from the 16th century using a hand spindle, and the other Woman Spinning by Roghman from the 17th century, using a spinning wheel. Spindles and spinning wheels were the only way to make yarn or thread until mechanical spinners were invented during the Industrial Revolution in the 18th century. [3] Rise of Modern Commerce and Capitalism from Feudalism As European feudal society started to decline in the 16th century, political power began to be centralized in a state government. A mercantile economy arose, attempting to centrally control the economy, in the interest of strengthening the state.[4] Later, mercantilism would develop into capitalism as we know it. There were two problems of the emerging mercantile state that textiles could help solve:[5]
Thus, textile merchants became some of the most important early entrepreneurs of this emerging economy. The Printing Press and Literacy Johannes Gutenberg invented the moveable type printing press in the mid-15th century, which allowed for mass production of printed material. Before 1500, literacy of women was confined to those of noble birth, only 1% of women[8], but with the wider availability of books to read, this changed. For example, about 40% of English women could read by 1750.[9] It is significant for our purposes to note that the religious rebels were especially likely to learn to read and write, and communicated their religious ideas in books and tracts.[10] Thus, we see the following interrelated developments, happening in Europe around the same time:
Textile Industry’s Need of SpinnersThe fibers used to do spinning and weaving in Europe during the 14th through 17th centuries were wool, cotton, flax (the plant used to make linen thread), and to a lesser extent, silk. In Europe sheep’s wool was used since the Bronze Age to spin yarn that was later woven or knit into clothing.[11] Cotton thread was produced in quantity in Europe starting in the 12th century using cotton grown in the eastern Mediterranean; cotton, a tropical plant, couldn’t be grown in temperate Europe. It declined in the 16th century, and then later rose again in the 18th century using cotton from the New World.[12] Linen was produced most widely in Europe between the 16th and 18th centuries, that is, during the period when cotton production was reduced.[13] Silk was spun in Italy in the 14th century, and in France starting at the beginning of the 16th century [14]. The textile fibers used most widely for clothing and other household textiles used by common European people were sheep’s wool, cotton and linen. Linen served as a comfortable, inexpensive and hygienic material for underwear, tableware and bedclothes, unlike wool which was uncomfortable and difficult to care for. Demand for linen cloth intensified in the 16th century due to fashion-driven consumption in Europe.[15] Cotton, since it couldn’t be grown in Europe, was more expensive than linen, until the import of cheap cotton from the New World. It too was preferred over the dirtier, smellier and less easily worked wool.[16] Silk was chiefly used to make elaborate fabrics and tapestries for the monarchy and the nobility. Sumptuary laws in England [Elizabeth 1562] [Elizabeth 1574] attempted to control the demand for some kinds of cloth and also to maintain social class structure, but were widely ignored.[17] See Plate 3 for pictures illustrating the demand for cloth. There were two basic methods of textile production in early-modern Europe:[18]
Early textile mercantilists quickly realized that the bottleneck in cloth industry was spinning; various accounts tell us that as many as 4 to 20 spinners were needed to supply a single weaver with thread.[23] To help alleviate this bottleneck, mercantilists saw women and children as a vast labor pool waiting to be tapped.[24] They encouraged spinning as a cottage industry to get cheap labor of women and children in their homes. They attached spinning rooms to orphanages, sometimes resulting in intolerable exploitation of children.[25] Some communities even set up a “correctional training institution” called a spinhuis (which became tourist attractions in the 17th century) to encourage prostitutes to spin in “off hours” and thus allow them to become virtuous.[26] Wages were kept low, too low to support a family. Sometimes, prizes were created for the best and most production.[27] Textiles in Women’s Daily LivesEveryday clothing worn by common women in the 15th to 17th century in Europe was more utilitarian, more distinct by class and occupation, more precious, and more modest than clothes we wear today.[28] Existing art and engravings of common people, when they can be found, typically show a woman wearing a floor-length skirt covered with an apron, a long-sleeved blouse, a vest that laced up the front, and a covering for her hair.[29] Underneath her clothes she wore a long-sleeved linen chemise, long woolen socks and leather shoes. Typically, only the apron and the chemise were washed regularly. Protestant women, in particular, were supposed to show particular sobriety in dress; Protestant clerics felt that “excessive display portended vanity in the minds of clerics, and they believed the distance from vanity to moral laxity was slight.”[30] As part of the research for this project, I made myself an outfit such as a common woman might wear. (A picture of me wearing this outfit and spinning is on Plate 4.) I find that I quite like wearing it; it is quite warm, even warmer than wearing pants, due to multiple layers of cloth in the full length skirt and linen underwear. I am ever conscious of the sheer volume of cloth that I am carrying around as I walk. This gives me a subjective appreciation for all that the spinners of former times had to do to provide thread for weaving the cloth. How they must have worked so every woman could be clothed as this. Most people did not buy new clothes; when they did so, it was at special times of their life. Clothes were generally carefully handed down from parent to child[31], and worn until they were worn out.[32] See Plate 4 for illustrations of period women’s dress. Other textiles used in a typical home would include bed linen and cloths used in the kitchen and at the dinner table. Sometimes a little lace could add beauty to clothing or household tables. Embroidery and other needlework were used to decorate clothing and to create decorative objects for the home. Early modern European women who participated in the textile industry did so primarily from their homes. They essentially ran cottage industries in which they spun and did needlework after daily chores are done.[33] Mothers taught the “survival skills” of spinning, carding, weaving, needlework, lace-making to their young daughters. [34] In order to marry, a woman needed to provide a dowry to her husband. This was not an insignificant expense for a family; sometimes a dowry would consist of up to a third of the assets of the family.[35] A family with several daughters would be hard pressed to provide dowries for more than one of them; it was sometimes said that the first daughter wore silk and the other daughters wore wool.[36] Many times, the need for a dowry required an independent source of funds, and spinning was one way that this money was earned. Textiles and Women’s Growing IndependenceBecause women were able to earn wages by working in the textile industry, some unattached women began to pool economic resources, find mutual protection and gain a sense of identity.[37] Such groups, who lived together in loosely structured, but not cloistered, religious communities, were often called Beguines. They supported themselves by weaving, spinning, sewing, other needlework or caring for the sick.[38] These women were initially ignored by the church, but starting in the 14th century were increasingly regarded as suspect because they were not under male supervision.[39] They were also regarded as cheap competition in the labor market by the craft guilds. [40] The reason many women chose spinning as a way to earn a wage was because sometimes, spinning was the only possible employment open to women.[41] In fact, the word “spinster” came to mean a woman who was not married, and was independently self-providing.[42] These women worked for lower wages than men did because they didn’t have families to provide for.[43] During this period, some women gained deeper self-awareness, self-identity, and independence by being able to live in community with other women, either cloistered or not.[44] However, there remained for some a moral ambivalence about capitalism allowed by textile creation. It allowed more opportunities for marriage and independence at the risk of becoming too over committed to labor and thus less committed to family. This ambivalence shows itself in folk tales of the period such as Rumpelstiltskin.[45] Textile Production and the ChurchBoth Catholic and Protestant churches encouraged the virtuous exercises of spinning, weaving, carding and needlework at home.[46] See Plate 5 for pictures of textile work as a virtuous activity. Some religious orders and communities for women were engaged in textile making. Examples of these are the Beguines, as we discussed above, the Urselines, the Sisters of Charity, and the Beates.[47] Sometimes, just advocating that women should be able to live together for this purpose was enough to get one into trouble with religious authorities.[48] However, both Catholic clerics and Luther disapproved of women’s independence.[49] In particular, clerics disapproved of spinnstube (spinning bees) which were gatherings of spinners for the purpose of sociability and work without the distractions of home. These gatherings, which were encouraged by the textile industry, sometimes attracted unattached men and courtship play resulted. Such unsupervised contact of unmarried women and men was not approved of by clerics.[50] See Plate 6 for pictures of spinnstube both scandalous and proper. Textiles and the Spread of the Reformation in EnglandIt has long been noted by a number of researchers[51] that there was a correlation between textile areas and the progress of the Protestant Reformation in England. In one of the earliest religious uprisings, Sir John Oldcastle, a follower of John Wycliffe, led a group made up largely of weavers in a revolt against King Henry V.[52] A recent researcher has remarked that the cottage clothing industry was a “breeding ground” for religious heresy in Essex county. [53] The counties with large numbers of clothiers and tradesmen - Kent, Essex, Berkshire, and Yorkshire - were also very active in the spread of radical religious ideas. See Plate 7 for a map of England with trade routes and textile areas marked. These areas saw the first religious uprisings, the first women preachers, and later, during the Industrial Revolution, the first weavers’ revolts.[54] There has been speculation by researchers[55] about why there was a linkage between clothing areas and the spread of radical religious ideas. The explanations that have been advanced are the following:
Religious Ideas that Were Spread to Spinners and Weavers in EnglandThe Influence of John Wycliffe John Wycliffe influenced the beginnings of the tradition of non-conformity in England. A professor at Oxford, Wycliffe in the last decade of his life began advocating increasingly radical religious views. For example, he denied the doctrine of transubstantiation, discussed the importance of preaching, and viewed the Holy Scriptures as being the primary source of truth in Christianity. He was charged with heresy and retired from Oxford in 1378. However, he was never brought to trial, and he continued to write and preach until his death in 1384.[63] He was initially buried in consecrated ground, but after his teaching was condemned by a meeting of the Western Church in Constance, his body was exhumed in 1428, burnt and his ashes dispersed in a stream.[64] Wycliffe is widely seen as an early influence of many religious reformers, most notably Jan Hus and Martin Luther. In England, Wycliffe provided the motivating ideas of the Lollard sect, one of the original English heretical groups. It goes without saying that complete and accurate records of what were underground religious activities do not exist; heretics needed to be circumspect and not draw attention to themselves. As Christopher Hill says, “A successful underground leaves no traces.”[65] Thus, many important events and trends were doubtless not recorded and remain lost to us. What we know is based on what has been left behind, sometimes surviving to modern times in today’s religious sects, and what scholars have inferred from it. With this caveat, what follows is a brief introduction to some of the radical religious sects whose ideas were spread widely throughout England. These are the ideas that were coming to the ears of the spinners and weavers along the trade routes. The Lollards The name Lollard comes from the Middle Dutch lollaert ("mumbler"), which had been applied earlier to some European continental groups with heretical beliefs.[66] The first Lollards are identified in about 1382 as associates of Wycliffe at Oxford. The movement soon gained followers outside of Oxford among townspeople, merchants, gentry, and even some clergy. Several knights gave their support, as well as a few members of the House of Commons. In 1414 after King Henry V defeated a Lollard rising led by Sir John Oldcastle, the movement lost its academic and noble members. The movement was driven underground, its remaining members being mostly trades-people and artisans, and a few clerics. Around 1500 a revival of Lollardism started, and the Lollards and the Protestants had begun to join by 1530. The Lollard tradition helped the spread of Protestantism during the English Reformation.[67] One can assume that many weavers and spinners knew of, or belonged to, the Lollard tradition. The Lollards were fiercely anti-authoritarian, anti-aristocratic, and rejected the ruling class and it’s law. This bias shows in the beliefs held by Lollards: [68]
Familists[70] The religious sect called Family of Love is often referred to as the Familists. It was of Dutch origin, founded by a 16th century Dutch merchant Hendrik Niclaes, who had a number of visions that caused him to call himself a “begodded man.” Niclaes' book Evangelium regni was published in England as A Joyfyl Message of the Kingdom. He gained many followers, making two visits to England, where his sect had the largest following. Itinerant craftsmen are thought to be among its most loyal adherents. Thus, we can speculate that spinners and weavers had the opportunity to hear of the sect and its beliefs. The sect was a target of a negative proclamation by Queen Elizabeth I in 1580, and did not survive after the Restoration of the English monarchy in 1660. However George Fox, the founder of the Society of Friends, believed that some remaining Familists later joined his organization. Beliefs associated with the Familists include the following:
Anabaptists[71] Anabaptist ideas spread from continental Europe to England by the early 1500’s. One of the main routes was people fleeing religious persecution from the Netherlands. The English authorities did not welcome them, arresting, trying and burning them after their arrival. The chief tenets of their faith were:
Since one of the main textile trade routes to England was from the Netherlands, it is highly probable that English spinners and weavers heard these religious tenets. Baptists[72] Baptists are a sect of Anabaptists, believing that only believers should be baptized and that baptism should be done by immersion. Two groups of Baptists emerged in England during the 17th century. They differed with respect to who had the possibility of being saved. General Baptists, whose first church was found in London c. 1611, believed that all persons could have the possibility of being saved, whereas Particular Baptists believed, as John Calvin did, that only a predestined elect few could be saved. The General Baptists later spread to America and has flourished into present times. Particular Baptist membership declined after World War I. Levelers[73] The Levelers began in the 1650’s in England. The name Levelers suggested that its supporters wished to "level men's estates." They believed in democracy, a wide franchise, abolition of the House of Lords, election of judges, legal and economic reforms, and separation of church and state. Their religious beliefs consisted of a rejection of sin and belief that Christ was not divine. They unsuccessfully urged Parliament to enact a package of social reforms. In 1649, Levelerleaders were imprisoned, and a Leveler revolt was put down in Oxfordshire, which was the end of the Levelers as an organized political force. Some of their social ideas were taken over by the Quakers. Society of Friends (Quakers) [74] In about 1650 George Fox founded the Society of Friends, also called the Quakers, in England. The Friend’s beliefs stress the guidance of the Holy Spirit, rejects outward rites and an ordained ministry, and has a long tradition of actively working for peace and opposing war. They have also supported the equal gifts of women to preach and witness for their faith.[75] Quakerism spread rapidly first in the north of England, and then in an expansive move to London and the rest of England, then to Scotland and Ireland, to the continent of Europe, and finally to North America. We can assume that any cottage spinners or weavers near the end of the 17th century would have known about the Society of Friends. Ranters [76] A sect that appeared at about 1650 in England, had tenets that included:
Diggers[77] The Diggers were a group of agrarian communists who flourished in England in 1649-50. They maintained that since Charles I had been executed, land should be made available for the very poor to cultivate. The Diggers’ activities alarmed the Commonwealth government and roused the hostility of local landowners, who were rival claimants to the lands they had started to cultivate at St. George's Hill, Surrey. By the end of March 1650 their colony was dispersed. Brownists[78] Followers of Robert Brown (b. c. 1550--d. October 1633) a Puritan Congregationalist church leader. They demanded separation from the Church of England and freedom from state control. Brown felt that the duty of the state was to keep civil peace, and that only when war was threatened, might it interfere in religion. Scripturally, he believed in the parity of New and Old Testaments. Conclusions and Suggestions for Further WorkThe golden age of spinning in Europe lasted from the 16th century when spinning wheels became commonplace until the 19th century when the machines of the Industrial Revolution automated spinning. It coincided with and contributed to social, political and religious movements that were happening during the same period. In England, we have seen that there were a wide variety of religious heresies that these grass roots textile workers were being exposed to. The evidence we have found that ideas of the Reformation were spread to the populace while “gathering the wool” in a verlag textile system is from England alone. Why evidence of the same phenomenon happening in other countries isn’t also readily available is curious. These possibilities suggest themselves as explanations:
Plates1. Spindles and Spinning Wheels 2. Engravings of Spinners in the 16th and 17th Centuries: The Visit to the Spinner, Israhel van Meckenem, c. 1495/1503, and Woman Spinning, Geertruydt Roghman, before 1650 3. The Demand for Cloth: Le Lever de Fancon, 1773, Nicolas-Bernard Lepicie, 1773, Unknown Man c. 1532-40, Hans Holbein, and Double Ruff, Unknown Girl, 1569, attributed to the Master of the Countess of Warwick. 4. Clothing Worn by the Common Woman 5. Spinning as a Virtuous Activity: The Virgin and Saint Anne, School of Caravaggio early 17th Century; Reading the Bible, Gerard Dou (1613-1675);Prayer of a Spinner, Gerard Dou, c. 1660 6. Images of Spinning Bees: Both Scandalous and Proper: Spinnstube, Hans Sebald Beham, 1524. Spinnstube in the 18th Century, 1759. 7. Map of Roads, Industry and Dissenting Connections in England c. 1600 Plate 1. Spindles and Spinning Wheels
Plate 2. Engravings of Spinners in the 16th and 17th Centuries
In The Visit to the Spinner, engraved at the beginning of the 16th century, the spinner not using a spinning wheel, but rather a hand held spindle. She is using a distaff to hold the fiber, and pulling fiber from the distaff as she spins. She has completed spindles in the basket at her feet. In Woman Spinning, engraved in the mid-17th century, the spinner is now using a spinning wheel and a distaff. She has several completed spindles at her feet.Demand for cloth came both from the common people and the aristocracy.
Plate 4. Clothing Worn by the Common Woman
Right: A modern hand spinner, Barbara Meyers, in medieval clothing. [94] The articles of outer clothing were made using Butterick “Making History” pattern 6198. Under her outer clothing, she is wearing a linen chemise made from the instructions at the reconstructing history website[95], long woolen socks, and leather shoes. Plate 5. Spinning as a Virtuous Activity
These paintings show that spinning and other forms of fiber work were seen as virtuous pursuits in the 17th century. In the picture of the Virgin and Saint Anne, Saint Anne is supervising her daughter’s needlework while she is winding a ball of spun yarn off of a swift. Notice finished balls of yarn in a basket on the floor. Gerard Dou’s paintings show the prominent place that a spinning wheel played in the lives of pious people in the mid-17th century. Both of these scenes show a Saxony style spinning wheel, with partially completed spinning projects in the background, while a pious activity is taking place in the foreground. They look to both be painted of the same room and props.
Plate 6. Images of Spinning Bees: Both Scandalous and Proper
At the 16th Century Spinnstube engraved by Hans Beham, there is only one person actually spinning from a distaff in the back. All of the otherpeople are behaving in various scandalous ways, with the sexes freely mixing. This may have been drawn as a satire, or as a demonstration of societal/church disapproval of these gatherings.The Spinnstube in the 18th Century shows a much more proper setting, still involving both men and women, but exhibiting much better behavior. By this time, theSpinnstuben were under the supervision of a respectable Lichtherr, who was responsible to the village morals court, a church entity. All participants were required to register.The Model Spinnstube Wool Factory in Bohemia shows a scene where social activities and work have been separated. A Bohemian lord enforced this separation.Plate 7. Map of Roads, Industry and Dissenting Connections in England c. 1600
The red ovals show locations of particular strength of heretical religious ideas. Red ovals drawn by Barbara Meyers. References
[1] [Ewing 1984] p. 9 [2] [Macmillan 2001] article on Spinning [3] [Britannica 1999] article on Textile Industries [4] [Britannica 1999] Article on Economy and Society [5] [Schneider 1989] p. 184 [6] [Kriedte 1981] p. 34 [7] Hessian declaration quoted in [Kriedte 1981] p 36 [8] [Hufton 1995] p. 426 [9] [Hufton 1995] p. 429 [10] [Spufford 1995] pp. 70 ff [11] [Britannica 1999] article on The Metal Ages [12] [Schneider 1989] p. 180-181 [13] Ibid. A brief history of the use of linen by mankind can be found in The Story of Linen [Leggett 1945]. [14] [Britannica 1999] articles on Textile Industries of France and Germany and on Textiles in the Middle Ages [15] [Schneider 1989] pp. 179-181 [16] [Gullickson 1986] p 68 [17] [Leigh 1996] [18] [Schneider 1989] p. 187 [19] [Wiesner 2000] p. 112 [20] [Safley 1993] [21] [Horner 1920] pp. 35 ff. [22] [Fox 1911] Vol I, p. 231 [23] [Hufton 1995] pp. 92-93, 158, [Wiesner 2000] pp. 118-119, [Gullickson 1986] p. 69, [Ewing 1984] p. 11 [24] [Wiesner 2000] p. 119, [Hufton 1995] pp. 78, 158 [25] [Horner 1920] pp. 54-55 [26] [Hufton 1995] pp. 330-331 [27] [Schneider 1989] p. 187, [Wiesner 2000] p. 119 [28] [Cumming 1981] Discusses the history of costume and fashion. [Hartley 1931] Gives examples of dress for various occupations in England of mediaeval times, and patterns for making them. [Ewing1984] Discusses the process of making cloth and clothes from 1650 to 1900. [29] See Plate 2 for contemporary pictures of 16th and 17th century spinners by van Meckenem, Roghman. [30] [Hufton 1995] p. 40 [31] [Hufton 1995] p. 173 [32] [Ewing1984] [33] [Hufton 1995] p 50, p 70, p 78-79 [34] [Hufton 1995] pp. 216, 369 [35] [Hufton 1995] p. 68 [36] [Hufton 1995] p. 377 [37] [Conn 2000] p. 9 [38] [Wiesner 2000] p. 217, [Strayer 1983] p. 160 [39] [Wiesner 2000] p. 217 [40] [Conn 2000] p. 9 [41] [Wiesner 2000] p. 119 [42] [Wiesner 2000] p. 119 [Gullickson 1986] p. 78 [43] [Hufton 1995] p. 60 [44] [Hufton 1995] pp. 422-423 [45] [Schneider 1989] pp. 177-178, 196. Rumpelstiltskin is a poor miller who tells the king that his daughter can spin straw into gold. His daughter promises her first born child to a poltergeist who does the spinning for her, thus ensuring her marriage to the king. In some versions of the story, she must give up her child, and in other versions, she loses her child. [46] [Hufton 1995] p. 38 [47] [Hufton 1995] p 378, 389 [48] [Hill 1986] p. 105 [49] [Hufton 1995] pp. 401, 414 [50] [Medick 1984] pp. 317 ff. , [Schneider 89] p. 194, [Weisner 2000] p. 121, [Hufton 95] p. 129 [51] [Summers 1906] [Hill 1986] [Spufford 1995] [Vann 1969] A good bibliography of work on this phenomenon is given in [Shiels 1998]. [52] [Britannica 1999] Article on Lollards [53] [Hill 1986] p. 93 [54] [Hill 1986] First religious uprisings: p. 101, First women preachers: p. 92, Weaver’s Riot: p. 108 [55] [Spufford 1995] pp. 40 - 64, [Shiels 1998], [Hill 1986] [Vann 1969] p 13. [56] [Hill 1986] p. 98, [Shiels 1998] p. 131, [Spufford 1995] p. 63 [57] [Hill 1986] p. 98 [58] [Watt 1995] [59] [Spufford 1995] p. 53 [60] [Spufford 1995] p. 58 [61] [Shiels 1998] [62] For example, Richard Baxter quoted in [Spufford 1995] p. 46 [63] [Britannica 1999] Article on the Lollards [64] [McFarlane 1952] p. 129 [65] [Hill 1986] p. 90 [66] [Britannica 1999] Article on the Lollards [67] Ibid. [68] These are from several sources: [Hill 86] [Summers 06] [Plumb 95] [Britannica 99] Article on Lollards [69] [Deanesly 1966], [Long 1998], [Williams 2000] p. 604, [McFarlane 1953] p. 127. The first English translation of the entire Bible was done by Wycliffe and his colleagues, a compilation & republishing of which [Wycliffe 1850] is in the Starr King Rare Book Room. [70] Sources for information on the Familists are [Hill 1986], [Britannica 1999] Article on Familists, and [Williams 2000] pp. 724-731 [71] [Williams 2000] pp. 605-608, [Hill 1986] [72] [Britannica 1999] Article on Baptists, [Williams 2000] pp. 1208-1209 [73] [Hill 1986], [Britannica 1999] Article on Levelers [74] [Hill 1986], [Britannica 1999] Article on The Society of Friends, [Vann 1969] [75] [Hufton 1995] pp. 418-419 [76] [Britannica 1999] Article on Ranters [77] [Britannica 1999] Article on Diggers [78] [Britannica 1999] Article on Brownists, [Williams 2000] pp. 1207-1209 [79] From [Horner 1920] frontispiece [80] From The Best of Life, Time-Life Books, 1973, p. 287. [81] From WoodCraftPlans.com on-line catalog [82] From [Horner 1920] p. 446 [83] From [Horner 1920] p. 424 [84] From online image library of the National Gallery of Art: http://www.nga.gov/ [85] From [Weisner 200] p. 120 [86] From online art website at http://artyzm.com/world/l/lepicie/ [87] From online art website at http://www.tudor-portraits.com/ [88] From online art website at http://www.tudor-portraits.com/ [89] From http://renaissance.dm.net/sumptuary/, unknown artist. [91] Picture and text from http://www.reconstructinghistory.com/beginners/chemise.html © 2000 by Kass McGann. [94] Photo credit, Tom Meyers, October 19, 2001. [95]Reconstructing history website: http://www.reconstructinghistory.com/beginners/chemise.html [96] From [Hufton 1995] Figure 31 [97] from [Hufton 1995] Figure 46 [98] From the online Art Renewal Center at: http://www.artrenewal.org/images/artists/d/Dou_Gerrit/ [99] From [Medick 1984] p. 320 [100] From [Medick 1984] p. 330 [101] From [Medick 1984] p. 327
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